Dominant to Tonic Chord Forms
Dominant to tonic chords with chromatic voice movement. Each progression in the key of B♭ is followed by a progression in E a tritone away. The dominant chord form fingerings in each key sequence are the same but the chord order is reversed. Red notes highlight the chromatic voice movement and resolution.
F13
x R 13 3 ♭7 x
F7♯5
x R ♯5 3 ♭7 x
F7
x R 5 3 ♭7 x
F7♭5
x R ♭5 3 ♭7 x
B♭6/9
x 5 9 6 3 x
B7♭5
x ♭5 R ♭7 3 x
B7♭5♭9
x ♭5 ♭9 ♭7 3 x
B9♭5
x ♭5 9 ♭7 3 x
B7♭5♯9
x ♭5 ♯9 ♭7 3 x
Emaj9
x 9 7 3 R x

F13
x 9 13 3 ♭7 x
F9♯5
x 9 ♯5 3 ♭7 x
F9
x 9 5 3 ♭7 x
F9♭5
x 9 ♭5 3 ♭7 x
B♭6
x 6 3 (R) 5 R
B7♯5
x ♯5 R ♭7 3 x
B7♯5♭9
x ♯5 ♭9 ♭7 3 x
B9♯5
x ♯5 9 ♭7 3 x
B7♯5♯9
x ♯5 ♯9 ♭7 3 x
Emaj7
x 3 7 5 R x

F13♭9
x ♭9 13 3 ♭7 x
F7♯5♭9
x ♭9 ♯5 3 ♭7 x
F7♭9
x ♭9 5 3 ♭7 x
F7♭5♭9
x ♭9 ♭5 3 ♭7 x
B♭6
x 5 R 6 3 x
B7
x 5 R ♭7 3 x
B7♭9
x 5 ♭9 ♭7 3 x
B9
x 5 9 ♭7 3 x
B7♯9
x 5 ♯9 ♭7 3 x
E6/9
x 9 6 3 R x

F13
x R 13 3 ♭7 x
F7♯5♭9
x ♭9 ♯5 3 ♭7 x
F9
x 9 5 3 ♭7 x
F7♯5♯9
x ♯9 ♯5 3 ♭7 x
B♭maj7/6/9
7 5 9 6 3 x
B13
x 13 9 ♭7 3 x
B7♯5♭9
x ♯5 ♭9 ♭7 3 x
B9
x 5 9 ♭7 3 x
B7♭5♯9
x ♭5 ♯9 ♭7 3 x
Emaj9
x 9 7 3 R x